Steve winwood roll with it meaning11/26/2023 ![]() Following challenges in his early career, where some clever music industry officials told him he didn’t sound “black enough” while others opined his music embraced too many influences of artists like Led Zeppelin, Jimi Hendrix and The Beatles, the American singer-songwriter, multi-instrumentalist, producer and actor has established himself with more than 40 million records sold worldwide and multiple awards. In September 2018, Lenny Kravitz released his 11th studio album Raise Vibration, his most recent to date. Here’s their beautiful rendition of A Nightingale Sang in Berkeley Square, a British romantic popular song written in 1939 and published the following year, with lyrics by Eric Maschwitz and music by Manning Sherwin.įor this next tune, let’s jump 57 years forward into the current century. The record also featured Steve Kuhn (piano), John Neves (double bass) and Roy Haynes (drums). Recorded Fall 1961 was the fourth of six albums on which Getz and Brookmeyer worked with each other. Influenced by João Gilberto and Antônio Carlos Jobim, the tenor saxophonist also helped popularize bossa nova in the U.S. Getz first gained prominence in the late 1940s playing in Woody Herman’s big band. ![]() Over a 50-year-plus recording career, he has released numerous albums as leader or co-leader and worked as a sideman for Manny Albam, Gerry Mulligan and Jimmy Giuffre, among others. Brookmeyer, who began playing professionally in his teens in the 1940s, was a pianist in big bands led Tex Beneke and Ray McKinley, before focusing on valve trombone beginning in the early 1950s. That’s when jazz musicians Bob Brookmeyer (valve trombone, piano) and Sten Getz (saxophone) got together for a studio album appropriately titled Recorded Fall 1961. Our first stop takes us to the fall of 1961. Fasten your seatbelts and off we go!īob Brookmeyer & Stan Getz/ A Nightingale Sang in Berkeley Square As always, the time machine will make six stops. Once again, I’d like to invite you to accompany me on another excursion to visit music from different decades in different flavors. It’s Sunday and I hope you’re feeling groovy. Written by Sahm in 1973, the tune also appeared on May 10 as the lead single of Son Volt’s album. Off Day of the Doug, here’s the great Sometimes You’ve Got to Stop Chasing Rainbows. Sahm died from a heart attack in November 1999 at the age of 58. After they disbanded in 1973, he launched a solo career and also played in Tejano supergroup Texas Tornados. ![]() Sahm gained initial prominence with country and roots rock band Sir Douglas Quintet. Son Volt’s new album Day of the Doug is a tribute to the late Doug Sahm, a singer-songwriter who according to Wikipedia is “regarded as one of the main figures of Tex-Mex music, and as an important performer of Texan music”. They were formed by singer-songwriter and guitarist Jay Farrar in 1994 after the breakup of alternative country group Uncle Tupelo, who Farrar had co-founded with Jeff Tweedy in 1987. Since I listened to Son Volt’s album Electro Melodier when it came out in July 2021, I’ve dug the alternative country and Americana rock band. LaVette’s great rendition features Winwood on keyboards! Here’s Don’t Get Me Started, penned by Bramblett who also first recorded it for his 2020 album Pine Needle Fire. Guitarist Davis Causey over a 60-year career has accumulated impressive credits as well, which among others include Marvin Gaye, Jackie Wilson, Bonnie Raitt, Gregg Allman and Derek Trucks. Apart from having released albums under his name since 1975, Bramblett has worked with the likes of Gregg Allman, Bonnie Raitt, Robbie Robertson, Elvin Bishop and Steve Winwood. Her latest album is titled LaVette! and it’s a true gem by an incredible vocalist.Īll of the album’s 11 tracks were written by Randall Bramblett, some together with his longtime songwriting partner Davis Causey. While LaVette already recorded her first single as a 16-year-old in 1962, it took her more than 40 years until 2005 and the album I’ve Got My Own Hell to Raise to gain the broad recognition she deserved. I immediately liked how she makes songs she covers truly her own. Soul vocalist Bettye LaVette first entered my radar screen in 2018 when I included her in a post about great female blues singers. Here are two great albums I didn’t include in my Saturday feature. Last week brought a lot of neat new music.
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